I acknowledge and pay respect to custodians – past present and emerging – on sovereign Dharawal Wodi Wodi land where I live and conduct this creative practice. I extend this respect to all Aboriginal and Torres Strait Islander people. As a beneficiary of a colonial continuum and the resulting disproportionate distribution of wealth across this continent – I Pay the Rent – and invite you to do so too.

Bianca Hester

Bianca Hester is an artist, writer and educator engaged in place-based practice through artistic research. Her work investigates entanglements between colonial inheritance, extraction, environmental crisis, evolution and extinction evident within locations across the Australian continent. Employing relational, embodied and situational methodologies – she combines experimental fieldwork, engaging the geologic record (in archives and in situ), site-writing, sculptural production, collaboration and performed actions – to develop projects that unpack the material conditions of specific places. This generates an expansive form of public art unfolding in dialogue with a range of interlocutors and participants.

Collaboration with groups and communities has been a key part of practice over the last two decades.

Open Spatial Workshop (2003 - ongoing)

Down City Streets (2014 - 2018)

the West Brunswick Sculpture Triennial (2009)

The Working Group (2014).
Involving a letter written to the board of the Sydney Biennale by Gabrielle Di Vietri, Charlie Sofo, Bianca Hester, Nathan Grey.

CLUBSProject Inc. artist run initiative (2002 - 2007)

Artery Co-Operative

Anthropogenic, Archive, Basalt, Brick, Bronze, Colonial continuums, Coal, Concrete, Cosmic, Deep time, Digging, Dirt, Dust, Embodiment, Extractivism, Extinctions, Floor, Fossil, Fragment, Geologies, Groundwork, Installation, Materiality, Object, People, Performance, Permian, Place, Plant life, Process, Meteorite, Moving, Moving image, Rubbings, Sandstone, Sculpture, Singular objects, Site, Sociality, Steel, Still image, Textual, Triassic, Walking, Wall.